Info on the Brotfabrik page about my exhibition: http://brotfabrik-berlin.de/event/stephanie-barnes-ronny-johne-going-with-the-flow/2018-03-02/
Exhibit schedule for 2018
|Start date||End date||Location||Exhibit theme|
|March 2, 2018||April 15, 2018|| Brotfabrik, Weißensee
|Pieces of my Heart, The same but different, Rejection|
| Private Office
|November 10, 2018||December 8, 2018||Atelier Café, Weißensee
|This is now|
|Start date||End date||Location||Exhibit theme|
|September 15, 2017||Finissage: September 23, 2017||Atelier Café, Weißensee||Joy, Chaos
|October 27, 2017||December 7, 2017||Tuesday Coworking https://www.tuesdaycoworking.com/||Masks we hide behind|
|January 21, 2018||January 21, 2018||HvH Coaching-Etage
Im Akazienhof links 2 OG
|Paintings and Poetry|
|March 2, 2018||April 15, 2018||Brotfabrik, Weißensee||Pieces of my Heart, The same but different, Rejection|
|July 2018||September 2018||Private Office||tbd|
This is the first of several exhibits Stephanie will do over the course of the next year. Each exhibit will explore different themes from her work over the last six years. This one starts with her earlier paintings and explores the themes of Joy and Going with the Flow.
Details of this exhibit in September are as follows:
Location: KunstGalerie Cafe, Heinersdorferstraße 34, 13086 Berlin
Vernissage: September 16, 2017, 5pm – 8pm
Finissage: September 23, 2017 at 5pm – 8pm
I’ve just discovered Patreon, a site where people can support me in my artistic endeavors. Check it out here https://www.patreon.com/StephanieBarnes
This is a blog post about some recent experiences I have had receiving feedback from other artists about my work. In one case the feedback was negative and criticized me and my paintings, the other was overwhelmingly positive.
In both cases the feedback was unsolicited by me, although in the first case I had asked the artist a question about his experience in the art world, I did not, however, ask him to critique my work.
I did not know the first artist.
The second artist is someone I have known for about 6 years. I trust her and respect her as an artist and a person.
In the first case, the artist’s comments seemed inconsistent and I wondered if he even looked at my work before providing his unsolicited feedback.
In the second case, the artist congratulated me on the evolution of my art and complemented the professionalism of my work (her word, not mine).
Not everyone likes my work, and that’s fine, there’s lots of art that I don’t like too; I am not offended by people who don’t like my work. I am often curious about why and will often engage in a conversation about my art and what it is that they don’t like about it. Often it is too energetic or colourful or they want to “see” something in it, or they just don’t like abstract art—it’s not my paintings in particular, it’s a whole style of painting. And that’s okay, they’re allowed to like or not like things, that’s what makes this world a wonderful place: the diversity of thought and likes and dislikes.
I do think it’s important to keep an open mind when looking at other people’s artwork. If they are sharing it either publicly or privately, it is clearly something that is important to them, something they are passionate about, it is a story that they feel compelled to share in whatever way they are able to. I think you should show and interest in that, out of respect for the other person and their journey, and because you might learn something that informs your own thoughts and experiences (and creative practice, if you have one).
My paintings tell a story of personal growth and development, and have become more confident and complex as I have continued with my practice. To me they illustrate the complexity of life. Where they started out simply as an expression of joyful chaos, they now combine that joy and chaos with heartbreak and loss. Such is the nature of life.
Either that speaks to you or it doesn’t. In the case of the first artist, I would suggest that it didn’t, in the case of the second artist I would suggest that it did. Neither is right or wrong, that’s just the way it is, given their own individual life experiences.
Am I going to stop painting because someone doesn’t like my painting? No. I paint because I find it to be the best way to express things that I can’t put into words. I paint because I have to. I have stories to tell, that can only be told through my paintings.
I paint, therefore I am.
A Piece of My Heart (Author Unknown)
One day a young man was standing in the middle of the town proclaiming that he had the most beautiful heart in the whole valley. A large crowd gathered and they all admired his heart for it was perfect. There was not a mark or a flaw in it. Yes, they all agreed it truly was the most beautiful heart they had ever seen. The young man was very proud and boasted more loudly about his beautiful heart.
Suddenly, an old man appeared at the front of the crowd and said “Why, your heart is not nearly as beautiful as mine.” The crowd and the young man looked at the old man’s heart. It was beating strongly, but it was full of scars. It had places where pieces had been removed and other pieces put in, but they didn’t fit quite right and there were several jagged edges. In fact, in some places there were deep gouges where whole pieces were missing.
The people stared — how can he say his heart is more beautiful, they thought? The young man looked at the old man’s heart and saw its state and laughed. “You must be joking,” he said. “Compare your heart with mine. Mine is perfect and yours is a mess of scars and tears.”
“Yes,” said the old man, “yours is perfect looking but I would never trade with you. You see, every scar represents a person to whom I have given my love – I tear out a piece of my heart and give it to them, and often they give me a piece of their heart which fits into the empty place in my heart, but because the pieces aren’t exact, I have some rough edges, which I cherish, because they remind me of the love we shared.”
“Sometimes I have given pieces of my heart away, and the other person hasn’t returned a piece of his heart to me. These are the empty gouges — giving love, is taking a chance. Although these gouges are painful, they stay open, reminding me of the love I have for these people too, and I hope someday they may return and fill the space I have waiting. So now do you see what true beauty is?”
The young man stood silently with tears running down his cheeks. He walked up to the old man, reached into his perfect young and beautiful heart and ripped a piece out. He offered it to the old man with trembling hands. The old man took his offering, placed it in his heart and then took a piece from his old scarred heart and placed it in the wound in the young man’s heart. It fit, but not perfectly, as there were some jagged edges. The young man looked at his heart, not perfect anymore but more beautiful than ever, since love from the old man’s heart flowed into his.
[Thanks, to Don Jackson (http://heartbeatoftheinternet.com/) for tracking down the text for me.]
The following essay was written about my art by an art critic who reviewed my work here in Berlin. The critic wishes to remain anonymous.
I long to be heard.
Words and pictures; not words or pictures.
I long to be whole, not half.
My struggle is to be…
In 2014, the year that Germany celebrated its 25th anniversary of reconciliation, Stephanie Barnes knew in a single instant that she was going to move to Berlin. In this AHA moment, she was united between her fated pathways of opposites, as a twin born under the sign of Gemini, seeking reconciliation in her art.
“In December, it was a feeling of being home, even though I was standing in a kitchen filled with someone else’s belongings, and only two suitcases of my own with me,” she recalls of her visit to Berlin, just a month after the reconciliation celebration. “The other moment, in February 2015, it was feeling homesick for Berlin after being away for 2 days, on a 16-day business trip.”
The artist being at home in a city representing division and reconciliation for the world comes with a feeling of wholeness and integration. Barnes sees a parallel between her emotions expressed in painting and that of the German nation. This inner/outer composition between her inner feeling of reconciliation and the external reconciliation in her new environment is a theme working its way through her art.
“In Germany and in Berlin, the reconciliation is between east/west, communism/capitalism, homogeneity/diversity–the group versus the individual,” Barnes muses. “On the personal level, the reconciliation is between left and right brain, knowledge management and creativity, business and art, standing up for myself and belonging.”
For Barnes, the journey to integration extends from her birthright as a twin born under the Gemini sign of the Twins. “Who am I?” is the question she asks, and seeks to answer, with her painting. Her passage between the opposites as businesswoman and artist has led to the discovery of a language to access the energy built up from the tension of balancing life in the corporate world with her life in art.
Paradoxically, the process of working the image through this eternal question of identity has brought her into a rediscovery of words: “The integration and reconciliation of my logical business half and the creative, painting, artistic half is my own. I am not half a person, I am not only business/knowledge management/process; I am not only a creative/painter/artist. I am not half a twin. I am a whole in a set of twins.”
Yet, she sums up her passage of reconciliation through the opposites that is her birthright with a single word: JOY.
I am over joyed to be able to share these new videos with you, I created them (with the help of Chockablock Media, Allyson is a friend) to help me share more about my motivations for the painting that I do.
I hope you enjoy them as much as we enjoyed creating them!
(If you are in the Greater Toronto Area you can come out and meet me in person and see my art at Artscape Youngplace, details here http://www.stephaniebarnesart.com/art-2/september-26-27-art-show-and-sale/.)
Just a quick post to let you know about my upcoming show and sale, September 26-27, 2015 at Artscape Youngplace, 180 Shaw Street, Toronto. Noon until 5pm both days.
Come and meet Stephanie Barnes, artist at Artscape Youngplace. This will be her final show in Toronto before relocating to Berlin. See how her recent Berlin residencies have already impacted her painting process. Learn about her painting passions, processes, and inspirations.